G.I. HOLIDAY JUKEBOX
written and arranged by Rick Lewis
Directed by Rick Lewis
'GI HOLIDAY JUKEBOX' is a salute to the Stage Door Canteen during WWII. This Holiday Revue features four fictitious Hollywood stars who have put together a string of 1940s hits and holiday music to entertain "the boys" at the front. Filled with great standards, holiday music and comedy, this musical is holiday in both spirit and song.
"G.I. Holiday Jukebox"
is the perfect excuse to indulge in yuletide carols and the nostalgic songs of the 1940s.”
- Hendersonville Times-News
December 5 to 8, 2024 at the Bridgetown Black Box, Portland OR
December 12 to 15, 2024 at The Verona Studio Theatre, Salem OR
SCROLL DOWN FOR TICKET LINKS!!
Conceived by Rob Ruggiero
A celebration showcasing the songs of one of the most acclaimed composer-lyricists currently writing for the musical theatre. A two-time Tony Award winner for the groundbreaking musical, Falsettos, and The 25th Annual Putnam County Spelling Bee, William Finn is a true living legend.
April 24-27 (Portland)
May 1-4 (Salem)
Book by Ivan Menchell
Lyrics by Don Black
Music by Frank Wildhorn
At the height of the Great Depression, Bonnie Parker and Clyde Barrow went from two small-town nobodies in West Texas to America's most renowned folk heroes and Texas law enforcement's worst nightmares. Fearless, shameless and alluring, the Tony-nominated Bonnie & Clyde, from the legendary Frank Wildhorn (Jekyll & Hyde, Civil War, Dracula) is the electrifying story of love, adventure and crime that captured the attention of an entire country.
PORTLAND performances: July 17 to 27, 2025.
Book by Joe Tracz | Music & Lyrics by Rob Rokicki
Adapted from the book The Lightning Thief by Rick Riordan
When teenager Percy Jackson discovers he's a demigod, he and his friends embark on an epic journey to find Zeus' missing lightning bolt and prevent a war among the gods.
WAM 2024: A "Week and a Musical!" During this 5-day performance camp, young performer will audition, be cast, rehearse and perform The Lightning Thief: The Percy Jackson Musical. Culminates in two performances.
[Click on image to go to registration link]
Directed by Diego Kjelland
Music Supervisor: Rick Lewis
August 11-15, 2025 (Salem Only)
Performance by Bridgetown students, instructors and guests.
Details forthcoming.
SALEM performances: October 17 and 18, 2025.
PORTLAND performances: October 24 and 25, 2025.
Book by Bernie Garza & Ray Roderick
Lyrics by Neil Bert & Bernie Garza
Music by Neil Berg
Mark Twain’s timeless tale about look-alike boys who change places – and the destiny of a nation – is transformed into a swashbuckling musical. Enter medieval London and meet the young, protected Prince who gazes from his window at a world he is not allowed to explore, while a destitute boy dreams of escaping the thievery and filth that surround him. The Prince and the Pauper dazzled audiences of all ages in its multi-year run at the Lambs Theatre in New York City. It overflows with the thrill of adventure, the power of youth, magical sword fights, and enchanting songs.
“Light and lively!” – New York Daily News
"Soars on the wings of theatrical fun!" -The New York Times
SALEM performances: December 4 to 7, 2025.
PORTLAND performances:December 11 to 14, 2025.
Join in as they celebrate this long-awaited production and discover the magic behind the music
By: Chloe RabinowitzAug. 14, 2023
Bridgetown Conservatory of Musical Theatre is mounting the premiere of the first complete production of the Off-Broadway holiday musical LUDLOW LADD: The Poor Little Orphan Boy. With libretto by Michael Colby and music by Gerald Jay Markoe, Bridgetown Conservatory's production will be what Michael Colby describes as the 'fully realized new version' of the all-sung musical. Part Dickens, part Gilbert and Sullivan, part Fractured Fairy Tale, this family operetta evolves through mock-Christmas carols.
Rick Lewis, Artistic Director and Founder of Bridgetown Conservatory said: "We are extremely excited and proud to premier this new version of LUDLOW LADD! It's a great musical for Bridgetown students; it's a bit of a musical theatre unicorn - it's wacky, musical and highly original. Our cast of young performers and adults will have the opportunity to create characters for themselves, rather than mimic the performances of the past in a junior or high school version of a mainstream theatre piece. We're delighted. Michael Colby will be joining us the last week of the run, as well. Our performers will have the opportunity to meet and interact with the creator of their story."
Bridgetown Conservatory of Musical Theatre prides itself in being the premier training ground for young performers with an eye on a professional musical theatre career. Bridgetown offers "triple-threat" training (Acting, Dance and Vocal Performance) for young professional ages 12-19, preparing for college entrance into top-tier musical theatre programs and professional careers in musical Theatre. Bridgetown Conservatory's musical theatre triple-threat program is taught by former Broadway and NYC professionals, providing experienced and thoughtful insight into the training of young performers.
Over the past few years, Bridgetown Conservatory's graduating high school seniors have garnered spots in such prestigious musical theatre programs as: The Royal Central School of Speech and Drama (London), The Royal Conservatoire of Scotland, Manhattan School of Music, Marymount Manhattan, NYU/Steinhard, NYU/Tisch, Boston Conservatory, Chapman University, Pace University, SCU Dramatic Arts, AMDA, Molloy College/CAP21 among others.
LUDLOW LADD (libretto by Michael Colby; music by Gerald Jay Markoe) has had an illustrious history. In December 1979, it began as an elaborate staged reading written expressly for off-off Broadway's Lyric Theatre of New York. Framed as an all-sung, all-rhymed operetta, its screwball plot unfolds entirely in the style of Christmas songs, with overtones of Charles Dickens and Grimm's Fairy Tales. This presentation was so successful, most of the same cast performed a radio version on WBAI-FM the following year (1980, repeated in 1981). In 1982, Colby and Markoe wrote a sequel, CHARLOTTE SWEET, that won raves as an off-off Broadway showcase, moving on to an Off-Broadway run that garnered three Drama Desk Award nominations (including "Outstanding Lyrics" and "Outstanding Music" for Colby and Markoe). CHARLOTTE SWEET has just been optioned for revival.
The first regional production of LUDLOW LADD, in December 1982, was at The New American Theatre (Rockland IL). It was so popular, it returned there the following December in repertory with CHARLOTTE SWEET. Subsequently, there have been various versions, often in concert, featuring such future TV and Broadway stars as Kristen Chenoweth and Donna Lynne Champlin. The musical itself has evolved from an hour-long original version to a full-length edition, with many new songs and an expanded second half. A lauded concert version of the expanded LUDLOW LADD was presented two years ago at Urban Stages in NYC. The Bridgetown Conservatory will premiere the first complete production of what Michael Colby describes as the fully realized new version.
The Bridgetown production will be directed by Del Lewis, with music direction by Rick Lewis. Bridgetown student Aliyah Lamb serves as assistant director. Complete casting and staffing will be announced at a later date.
WILLAMETTE WEEK 7-3-24
By Vinny White
July 03, 2024 at 6:31 pm PDT
While once known for its musicals starring younger casts, Bridgetown Conservatory of Musical Theatre has been broadening its scope over the past year, welcoming a wider age range to the stage.
Now, to kick off this summer season, the company will open the curtain on Dogfight on July 11 with an all-adult cast.
Bridgetown Conservatory has been training young actors in dancing, singing, and acting since 2016. Its shift toward productions featuring adult casts came from a desire to give young actors a better experience. “We don’t like the idea of junior shows where they’re going to be playing a 40-year-old divorcée,” Bridgetown Conservatory founder Rick Lewis says. “They should be able to play who they are.”
The upcoming show, Dogfight, follows a group of young men the day before they’re deployed to Vietnam. The antagonist of the musical, Eddie Birdlace (played by Grant Goldman), makes a bet with his friends to see who can bring the ugliest date to a party. The story revolves around the drama and emotional consequences of the distasteful competition.
Adapted from the 1991 film of the same name, Dogfight first debuted off-Broadway in 2012. With music and lyrics by Benj Pasek and Justin Paul—writers of La La Land, Dear Evan Hansen, and The Greatest Showman—it wasn’t a surprise when the musical was met with bundles of critical praise.
Lewis managed to catch a showing during its initial run and was particularly impacted by it. “To me, it’s one of the most moving stories,” he says. “It’s a story about humanity and male testosterone. The score is exquisite. To me, it’s the perfect musical.”
Though Dogfight doesn’t feature anyone below the age of 19, it still includes students—four actors currently are, or once were, students at the Bridgetown Conservatory.
Casting was a concern on Lewis’ mind when production on Dogfight began. “It’s a tricky show to cast,” he says. “The male singing in the score is ridiculously high; you need major tenors in the shows, but you also need pop singers.”
Much to Lewis’ surprise, the company managed to assemble a team of actors that perfectly fit the bill. “We ended up with an amazing collection of actors I didn’t even know existed in this region,” he says. “It’s been serendipity. Our students are rising to the occasion as are the adults in the community.”
The show may feature an adult cast, but Bridgetown Conservatory is still a place for young actors. Over the summer, Bridgetown aims to prioritize shows with younger characters that can better incorporate its students with adults from the community.
“Our students in college and in high school and middle school, they’re kept so busy in their theater programs during the year,” Lewis says. “The summer’s going to be when we get to do shows that incorporate the younger actors.”
SEE IT: Dogfight plays at Bridgetown Conservatory of Musical Theatre, 711 SW 14th Ave., 971-219-6452, bridgetownconservatory.org. 7:30 pm Thursday and Friday, 2:30 pm Saturday and Sunday, July 11–14 and 18–21. $21.13–$34.74.
Vinny White
Vinny White is the resident arts & culture intern. Just recently graduating high school, White is passionate about journalism and sharing Beatles trivia.
WILLAMETTE WEEK 7-3-24
By Vinny White
July 03, 2024 at 6:31 pm PDT
While once known for its musicals starring younger casts, Bridgetown Conservatory of Musical Theatre has been broadening its scope over the past year, welcoming a wider age range to the stage.
Now, to kick off this summer season, the company will open the curtain on Dogfight on July 11 with an all-adult cast.
Bridgetown Conservatory has been training young actors in dancing, singing, and acting since 2016. Its shift toward productions featuring adult casts came from a desire to give young actors a better experience. “We don’t like the idea of junior shows where they’re going to be playing a 40-year-old divorcée,” Bridgetown Conservatory founder Rick Lewis says. “They should be able to play who they are.”
The upcoming show, Dogfight, follows a group of young men the day before they’re deployed to Vietnam. The antagonist of the musical, Eddie Birdlace (played by Grant Goldman), makes a bet with his friends to see who can bring the ugliest date to a party. The story revolves around the drama and emotional consequences of the distasteful competition.
Adapted from the 1991 film of the same name, Dogfight first debuted off-Broadway in 2012. With music and lyrics by Benj Pasek and Justin Paul—writers of La La Land, Dear Evan Hansen, and The Greatest Showman—it wasn’t a surprise when the musical was met with bundles of critical praise.
Lewis managed to catch a showing during its initial run and was particularly impacted by it. “To me, it’s one of the most moving stories,” he says. “It’s a story about humanity and male testosterone. The score is exquisite. To me, it’s the perfect musical.”
Though Dogfight doesn’t feature anyone below the age of 19, it still includes students—four actors currently are, or once were, students at the Bridgetown Conservatory.
Casting was a concern on Lewis’ mind when production on Dogfight began. “It’s a tricky show to cast,” he says. “The male singing in the score is ridiculously high; you need major tenors in the shows, but you also need pop singers.”
Much to Lewis’ surprise, the company managed to assemble a team of actors that perfectly fit the bill. “We ended up with an amazing collection of actors I didn’t even know existed in this region,” he says. “It’s been serendipity. Our students are rising to the occasion as are the adults in the community.”
The show may feature an adult cast, but Bridgetown Conservatory is still a place for young actors. Over the summer, Bridgetown aims to prioritize shows with younger characters that can better incorporate its students with adults from the community.
“Our students in college and in high school and middle school, they’re kept so busy in their theater programs during the year,” Lewis says. “The summer’s going to be when we get to do shows that incorporate the younger actors.”
SEE IT: Dogfight plays at Bridgetown Conservatory of Musical Theatre, 711 SW 14th Ave., 971-219-6452, bridgetownconservatory.org. 7:30 pm Thursday and Friday, 2:30 pm Saturday and Sunday, July 11–14 and 18–21. $21.13–$34.74.
Vinny White
Vinny White is the resident arts & culture intern. Just recently graduating high school, White is passionate about journalism and sharing Beatles trivia.
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